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80% of the Gurus in society are fake or without spiritual authority. Some of their features are enumerated below.

A Guru takes care of His disciple in any catastrophe while a teacher has hardly any concern about a student's personal life.

All Gurus are the same internally though externally Their physical appearances may differ.

The Lord chooses each individual to be born in that particular family (kuLa) whose family deity he needs to worship so as to make spiritual progress.

In the final step one does not even have to make a resolve. Mere presence, proximity or company of the Guru is sufficient for a disciple's spiritual practice and progress to occur automatically.

In this path a seeker learns how to acquire the Guru’s grace at the earliest, bypassing all other paths instead of wasting several years fol­lowing various paths of spiritual practice.

During the period of compilation of mantras in order to arrange the holy texts or verses systematically in the form of Sanhitas, the formation of the institution of the Guru to study, teach, practise and apply the mantras became the need of the hour.

Only by the grace of the Guru can the disciple attain his ultimate benefaction, that is spiritual progress.

Singing an Arti conceived with the resolve of Saints accomplishes these objectives, but only when it is sung from the heart and as per the science of Spirituality.

Offering Arti has been designed as an easy means for man to be able to realise God.

Arti is meant to be performed at sunrise and sunset. At sunset, the Arti is performed to destroy the raja-tama frequencies and to invoke the Deities' 'marak Chaitanya'.

By blowing the conch 3 times before beginning any ritualistic worship, movement of negative energies in the environment is reduced.

The Arti should be sung with the bhav that 'God Himself is standing in front and I am calling out to Him earnestly'.

Singing the Arti should be accompanied by clapping. For seekers in the primary stage clapping should be done softly to maintain a rhythm.

When offering Arti, using a lamp with five wicks (also called pancharti), the platter containing this lit lamp should be waved in a full circle in front of the Deity.