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9. Divine sound (Anāhat-nāda - An experience of the Ākāshtattva (Absolute Ether Principle) in the form of a continuous Divine sound similar to the blowing of a conch, ringing of temple bells etc.)
9 A. Hearing a Divine sound, is an indication of a war going on at the level of Ākāshtattva (Absolute Ether element) in saguṇ (Materialised) state.9 A 1. H.H. Dr. Jayant Athavale : The sound is sometimes audible and sometimes it is not, what is the reason for that?
9 A 2. A Scholar :
9 A 2 A. During an activity within saguṇ, the sound is noticabily audible : ‘When the work of Ākāshtattva in form of sound starts in saguṇ instead of nirguṇ, then it becomes noticabily audible. To distinctly hear a sound is a representation of activities in saguṇ.
9 A 2 B. Due to the transmission of the sound, the subtler distressful vibrations are destroyed : Transmission of the sound helps to disintegrate the subtler distressful vibrations in the atmosphere. The māntriks from the sixth region of hell fight with the help of subtler vibrations, so in order to reduce their presence in the Dharma-yuddha (Battle for Dharma), such type of sāttvik (Sattva-predominant) sound of a high level is must required. This signifies that the Dharma-yuddha is going on at the level of Ākāshtattva.
- (From the medium of Mrs. Anjali Gadgil, Kārtik Shuddha 13, Kaliyuga varsha 5113 (8th November 2011), 4.59 p.m.)
9 B. In the nirguṇ form of work, the rhythm of sound slows down, whereas it increases in the saguṇ form of work.
9 B 1. H.H. Dr. Jayant Athavale : What is the reason for a variation in the rhythm of the sound?
9 B 2. A Scholar: As soon as the rhythm of the sound along with its own sound increases, it comes at the saguṇ level and starts to do work; but the sound that has a low rhythm and low sound is composed of subtle vibrations, hence it works in a nirguṇ fashion; therefore, during nirguṇ work, its rhythm slows down, whereas in saguṇ work its rhythm increases. - (From the medium of Mrs. Anjali Gadgil, Kārtik Shuddha 13, Kaliyuga varsha 5113 (8th November 2011), 6.33 p.m.)
9 C. As compared to the place for vyashṭi sādhanā (Individual spiritual practice that benefits only the seeker undertaking it), the place where work is done by keeping an intention of samashṭi sādhanā (Spiritual practice for the spread of Spirituality) has a capability to provide everyone with all types of spiritual experiences at a same time, and the reasons behind this.
9 C 1. H.H. Dr. Jayant Athavale : Seekers get personal spiritual experience of being able to hear Anāhat-nāda . In my room, a Anāhat-nāda was formed such that everyone can hear it, what is the reason for that?
9 C 2. A Scholar : The place which has been purified by the presence of a Parātpar Guru (Supreme Guru, Guru of the highest (90% to 100%) spiritual level) who performs samashti (For the sake of the society) work, at such a place, a time-zone is formed which encompasses all types of expansiveness. Since in such expansiveness, a higher proportion of work is done with an intention of samashti bhāv (spiritual emotion) or in other words work is done for the upliftment of the samashti, therefore everything is formed only for the samashti; hence, whether it is a sound or a smell, it can be experienced by everyone; so when compared to the place of vyashti sādhanā, those places where work is done with intentions of samashti sādhanā, everyone can experience all types of spiritual experiences at a same time, such place comes very close to the nirguṇ, or in other words it becomes all encompassing. Similar is experienced in case of the room of H.H. Dr. Jayant Athavale; because His room has transformed in a replica of the Universe. - (From the medium of Mrs. Anjali Gadgil, Kārtik Shuddha 13, Kaliyuga varsha 5113 (8th November 2011), 6.56 p.m.)
9 D. Receiving a message through the nāda expresses a work going on at the level of place, and since samashṭi work mostly happens at the level of time, so to receive a message at the level of words is least important
9 D 1. H.H. Dr. Jayant Athavale : Whether we will get a message from the sound ? What will be its form?
9 D 2. A Scholar : No, receiving a message from the sound is similar as coming to the level of words. Such messages have limitations of place. In the case of samashti work, only those sounds are heard that are beyond words; in other words, the divine sounds that lead to the level of time; and since such sounds are beyond words, that means they are in the form of divine language of light and can work across the Universe. When it is compared with a message received at the level of words; the samashti work done only by Anāhat or Āhat sound due to Īshwarēchhā (God’s wish) is of higher level. This process is more nirguṇ. Further, in the work-zone of samashti work, the extensive work is done mostly by unexpressed language that means only in the form of sound; because in order to form a word, support of the Pruthvitattva (Absolute Earth Principle) is must required. Whereas, only the Ākāshtattva works here, therefore its level of work and capability increases. - (From the medium of Mrs. Anjali Gadgil, Kārtik Shuddha 13, Kaliyuga varsha 5113 (8th November 2011), 6.31 p.m.)
10 . Transmission of the divine nāda, its effect, its work function and specialities
H.H. Dr. Jayant Athavale : The Divine sound heard near the washbasin in my room was also heard in the entire room from 5th November 2011. What is the reason for that? How expansive it will be?A Scholar :
10 A. Related to the level of requirement of the work, a Divine sound of that particular level is transmitted at the respective levels : Īshwar is active in the advaita (Non-duality) work, and it is His all encompassive bhāv that transmits the energy for the work within each and every component at their appropriate levels, and echoes the work of that component directly and indirectly across the Universe. In this fashion, relative to the stages and the need for work, a divine sound is transmitted at those respective levels.
10 B. A sound that works on the basis of time : As the perimeter of this Divine sound increases, it crosses the boundary and limitations of its bondage with a place, and it bonds itself with the nirguṇ at an all encompassive level and then starts to works on the basis of time.
10 C. The sound that works at the nirguṇ level has its flow towards eternal energy : During a nirguṇ work, the sound gains immense expansiveness. And when it crosses the limitations of the place, then the flow of the sound directs itself towards the eternal energy. This energy brings various major changes in the Universe.
10 D. The effect of the divine nāda which spreads all across the Universe, and its work function
10 D 1. A sound which changes us from within : The sound-energy which travels in the Universe, and by a strike of its energy, it can change many people from within and start their sādhanā.
10 D 2. A sound that helps to maintain the continuity in sādhanā : Similarly, it keeps a balance of the sattva-predominant energy within the pinḍa (The human body as a replica of the macrocosm) of the seekers, and maintains a continuance in their sādhanā.
10 D 3. A sound that removes the obstacles in sādhanā caused by the māntriks : It gulps down the raja-tama predominant energy of the māntriks and alleviates the seekers from them and helps the seekers to traverse the bhavsāgar (ocean of worldly existence).
10 D 4. A sound which has a capability to transform a human into the Divine : The help by the sound is at the level of the Ākāsh (Absolute Ether Principle), so it can make changes in form of purification at the level of chitta (Subconscious mind), therefore, the sound does an important work of external and internal purification of the body. And due to such process, a process of transforming a human into the Divine is completed in a short time.
10 E. Conclusion
The process of transforming a human into the Divine gains a momentum due to the transmission of the sound, hence inspite of such times of calamity at present for everyone, this is a sandhikāl (Transition/Twilight period); therefore, it is beneficial that all seekers-gentlemen wash hands in running water.
- (From the medium of Mrs. Anjali Gadgil, Kārtik Krushṇa 8/9. Kaliyuga varsha 5113 (19th November 2011), 4.44 p.m.)
11. The science of various divine sounds appearing in the room of H.H. Dr. Jayant Athavale and at various places
11 A. The specialities of the nāda-shakti (energy of sound) created due to nāda-siddhi ( supernatural power of sound) and the Divine sound in the form of nirguṇ-saguṇ in the room of H.H. Dr. Jayant Athavale11 A 1. Creation of a subtle-void of sound : Due to the Divine sound at the level of nirguṇ, a subtle-void of sound is created at the subtlemost level and it kickstarts a process that purifies the entire atmosphere within moments and the atmosphere starts to become purified in a very short time.
11 A 2. This sound has the Āhat (Incarnated kriyā-shakti) nāda waves and Anāhat (Īshwari, Dnyānshakti) nāda seeds : In this sound, incarnated and Īshwari-tattva (God principle) are included, so it respectively transmits Āhat-nāda waves at subtlemost level and work according to the sankalpa on the level of kriyā-shakti. Similarly, the Īshwari-tattva in form of seed, continuously works from the medium of Anāhat- nāda in the level of subtlemost and the level of Dnyānshakti at level of presence.
11 A 3. The effect of the divine nāda in the room of H.H. Dr. Jayant Athavale is to bestow the boon of life in every moment upon the entire life on the planet earth : Due to the above two specialities of the sound, the mighty demonical forces who have started a subtle-war at the level of presence can be defeated within moments. New troops of the mighty demons from the region of hell are guarding their front and they are skilfully fighting by using new battle-tactics. In this manner, in such subtle-war where the deities will win and the demons will be defeated is continueously going on. And it is only due to the grace of Īshwar, that inspite of demons deploying a new demonical warrior troop every moment which is equipped with new battle-tactics; still it becomes easy to defeat the fighter māntriks. Therefore, the saints, seekers and active-Hindus are able to take a breath every moment, and are bestowed with the boon of life in form if the grace of the God. Therefore, in every moment we must be in the spiritual emotion of gratitude unto God, this is our sādhanā (spiritual practice) unto the God and it is the best sēvā (service unto the absolute truth) unto Him. Otherwise, due to the terrible fierce attacks from the hell regions, the entire life on the planet earth would have been eradicated and the earth would have become lifeless and dry similar to the other planets. The effect of the divine nāda in the room of H.H. Dr. Jayant Athavale is to bestow the boon of life in every moment upon the entire life on the planet earth.
- Shrīkrushṇa (From the medium of Miss. Madhura Bhosale, Kārtik Krushṇa 7, Kaliyug varsha 5113 (18th November 2011) 7.43 p.m.))
11 B. Divine sounds appearing at other places
11 B 1. In the room of H.H. Dr. Jayant Athavale, various types of sounds will be created and they will be transmitted everywhere : ‘In the room of H.H. Dr. Jayant Athavale, after the appearance of the Divine sound, various types of sounds will be created. These sounds will be related to the the nirguṇ-tattva seeds of the origin, sustainance, and destruction that are encompassed by the superior elite class of deities. In the rooms of various saints and seekers who have bhāv (spiritual emotion), various nādas related to the saguṇ-nirguṇ level in seed form of the principles of deities will be created as per the requirement. At first these sounds will be audible in the subtle and then they will be audible in the gross, hence they can be recorded.’
- Shrīkrushṇa (From the medium of Miss. Madhura Bhosale, Ashvin Shuddha Shasṭhī, Kaliyuga varsha 5113 (2nd October 2011), 11.30. p.m.))
(A spiritual experience of this was experienced in few weeks. – compiler)
11 B 2. In the room of Pujya Pethe aaji, at night, from two fans, a divine sound was heard clearly : ‘In reality, on 22nd October 2011, at 11.30 p.m., a divine sound has started to appear from the fan in room number 206 at the Ramnathi ashram. It could not be recorded.
While I was sleeping in the room of Pujya Pethe aji, at night around 2.30 p.m., from a fan near the window, a divine sound which was a pleasant sound similar to that of a veena started to appear. After two days, from the second fan in the room, a different divine sound which was in a mārak (destroyer) form appeard at around 2 p.m. at night. In this way, in the Pujya Pethe aji’s room, two distinctively different types of Divine sounds were clearly audible from the two fans. Now, even in daytime, that Divine sounds are audible in a lesser proportion.
11 B 3. In the room number 315 within the Ramnathi ashram a Divine sound was heard from the fan : During the same time, in the room number 315 within the Ramnathi ashram a Divine sound was heard from the fan. (It could not be recorded)’
- Miss. Madhura Bhosale, Kārtik Krushṇa Chaturthī, Kaliyuga varsha 5113 (15th November 2011) 9.39 p.m.
12. The cause and effect relationship behind creation of the various types of sounds
The Cause and effect relationship behind the appearance of the various types of sound in the room of H.H. Dr. Jayant Athavale is very expansive.12 A. Due to the transistion in H.H. Dr. Jayant Athavale’s state of the Shivdashā (The state of being one with Shiv (God Principle)) to the state of Shivātmādashā (God-realised soul), the various sounds are created : As H.H. Dr. Jayant Athavale transits from His state of Shivdashā to the state of Shivātmādashā, there are changes in the atmosphere at the subtler level, and that causes a subtle friction in the atmosphere and results in the creation of the various types of sounds at the level of nirguṇ -saguṇ.
The twelve types of sounds are Shrīrām, Shrīkrushṇa, Hanumān, Datta, Shiv, Gaṇapati, Shrī Durgādēvī, Shrī Mahālakshmīdēvī, Shrī Saraswatīdēvī, Shrī Bramhadēv, Shrī Kārtikēya, and Shrī Prajāpati, are relative to the original nirguṇ principle of the above twelve superior elite class of deities.
12 B. In order to respond to the attacks at the level of nirguṇ that are originated from the second and third region of the hell, God has created various sounds : The attacks from Hell are subtler and have a higher proportion of nirguṇ level at the level of presence, therefore, in order to protect the seekers and Saints, Īshwar has created various types of divine sounds at the most nirguṇ place on the planet earth and that is in the room of H.H. Dr. Jayant Athavale. In order to respond to the attacks at the level of nirguṇ that are originated from the second and third region of the hell, God has created various types of sounds. From the fatal-attacks of the māntriks of the third region of hell, there is no casualty so far; but fatalities can happen any moment, such a terrible situation has formed. Due to the creation of various Divine sounds, the severity of the fatal-attacks has been reduced to illness, ailments and accidents; but from the subtler fatal-attacks of the māntriks of the Hell region at the level of presense; the lives of all the Saints and all the seekers and active Hindus were protected and hence they are alive today.
11 C. To destroy the form of the war of the demonical forces and presense of the demons, Īshwar has started to use the nāda-siddhi (Supernatural power) to create nāda-shakti and used it in the form of a nāda-astra (weapon) :
1. Now a days, in the subtle-war which is going on in the Universe, mighty demons are participating who have equipped with various siddhis (Supernatural powers), backing of the power of penance performed for millions of years, acquired boons from superior elite class of deities, leadership of King Bali (King of asurs and Pātāl), guidance from Guru Shukrāchārya (Guru of the demons), and strong support of Kali. Because of their strength, they are equally capable as superior elite class of deities.
2. This subtle-war is going on between forces that are equal in caliber, and in order to defeat the Deities, the māntriks took the help of their various siddhis such as mohini (Alluring), māyāvi (Illusory), arts, written work, humour, speech, acting and similarly by arts such as painting, handicrafting, sculpting, dance and music, and used their weapons to take the level of war from subtle to subtler. At that time, in order to respond to the demons, the God has used the Ichhā-shakti (Energy of the will), kriyā-shakti (Energy of the action) and Dnyānshakti (Energy of the knowledge) and used the 12 siddhis and 64 arts at the level of mantra, japa, and sankalpa (resolve) to defeat the demons.
3. Since the level of the war has become subtler now, so the demons are fighting at the level of presence, therefore in order to defeat them, it is important to eradicate their presence. And for that purpose, and to help the deities, Īshwar has started to use the nāda-siddhi to create nāda-shakti and used it in the form of a nāda-astra (weapon). Practical forms of this are the various divine nādas that are created at the level of nirguṇ in the room of H.H. Dr. Jayant Athavale. Nāda-siddhi is subtlemost; nāda-shakti is subtler-subtlemost, whereas the divine nāda is subtler.
- Miss. Madhura Bhosale, (Kārtik Krushṇa Chaturthī, Kaliyuga varsha 5113 (15th November 2011), 9.39 p.m.)
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